texts


Road Runners: Andrea Zittel's trailers blur the line between art and utility

by Glen Helfand

The San Francisco Weekly, November 8-14, 1995, page 37


The idea of the deserted island represents both our biggest fear and our biggest fantasy.

For the past six years my work has almost exclusively dealt with aspects of private space and personal experience. When I begin to think about translating these interests to public space I bound myself drawn to issues of territory; the need for personal identity or autonomy; and then our simultaneous and often conflicting desire for security and intimacy of "community".

I think that my ideas about individuality and community as they relate to territory are distinctly American in that I perceive Americans as being more sensitized to physical, rather than cultural boundaries. The American pioneering spirit has created within us a real drive towards the possession and protection of definable territory. This territory may be identified by a green lawn and chain link fence, by our desire to ride to work within the isolation of our own private vehicles, or by our reluctance to share a restaurant table with strangers.

Perhaps this is why I respond so eagerly to the physicality of the European moated city, which I can't help but view as an island and a ship. These comforting and secure images attempt a self-contained entity-like a familiar planet floating in an unknown universe. And yet, at the same time, this entity contains an intimacy and sense of community not necessarily found in contemporary urban life.

When I think about a popular icon that reminds me both of the European moated city and the American desire for isolationism, the image of the deserted island comes to mind. I love the way that the "deserted island" is used to represent both our biggest fear and our greatest fantasy. This attraction/repulsion plays itself out in popular culture via representations such as the cartoon of the overworked insurance salesman marooned on a deserted island with two beautiful bikini clad women, or the story of Robinson Crusoe destined to struggle alone on his island against the odds of nature.

The project that I would like to propose for Muenster is the placement of several A-Z Deserted Islands in a little body of water which remains as a recollected fragment of the old city moat. The A-Z Deserted Islands are proposed as a series of fiberglass (or fiberglass reinforced concrete) islands. The islands will look like a cross between an artificial land formation and a recreational fiberglass boat. I am visualizing, the A-Z Deserted Islands as a prototype for a mass-reproducible recreational vehicle that could conceivably be marketed for the purpose of "an individualized experience of isolation within a safe and comfortable environment". I find it rather ironic that it is the mass produced product that best mediates our often contradictory desires of craving individual experience, with the need to maintain oneself within a safe and predictable environment.

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